and and and also,
Sophie Seita
9-14 August 2024
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a body might
tilt
cavort
peal
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Sophie Seita’s solo exhibition and and and also presents a series of textile pieces that depict experimental graphic scores for imaginary queer voices and bodies.
Graphic scores are alternative forms of notation for sound and performance. They move away from the traditional notation of the five-lined musical stave in favour of more expressive, unconventional, and often abstract notations that bring art and sound, performance, and movement together. Given their experimental non-normative nature, the scores remain unfixed, in process, and open to interpretation by and for different bodies and voices.
In Seita’s textile installation, the scores capture so-called Klangfiguren, German for ‘sonic bodies’ or ‘figures of sound’, which is both a musical term and a literary stylistic device, which brings the senses of hearing and seeing closely together. These Klangfiguren are conceptual sounds or allegorical bodies. An allegory is a form of ‘veiled language’, an image or story that captures new concepts but never explicitly; or it’s a material object and visual representation which makes an idea or feeling visible and tangible. These allegorical bodies, then, represent a queerness we do not yet know. In the origin of the word allegory also lies a suggestion for how it may be used. It’s a Latin word that originates in the Greek and combines allos ‘other’ or ‘different’ and agoreuo ‘to speak in the assembly’. In performance, these scores find their other-speaking in a new assembly, in a different (queer) community.
Scores, for the artist, allow reflection on process, on bodies, and (il)legibility. Listening, sound,
movement, and performance in this project are not limited to normative understandings of how we can or should use our bodies. The scores can be interpreted by all bodies, all voices, in all languages and don’t assume a primary language, form of expression, or range of ability.
The work is informed by a drawing and sound workshop with queer young people hosted by Curious Arts, and the artist wishes to thank the young people for their curiosity and open-mindedness. It is also informed by the singing method the artist learned in Germany (The Lichtenberger® Method in Applied Vocal Physiology), and includes prompts inspired by the method’s playful and poetic somatic pedagogy.
The textile works will be accompanied by the artist’s own creative audio descriptions as well as a short performative text that imagines and translates what these scores could sound like and what kind of queer relations or desires they intimately perform.
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‘Sophie Seita’s ‘creative audio description’ is a lush, poetic, evocative sister piece to the physical artworks. It offers so much more than ‘description, achieving inclusion through words that aren’t simply a translation of the work, they are the work, in another form…a form that works beautifully regardless of your level of vision. Strangely liberating, the artist’s words do not require a mental visualisation to enjoy her art, it’s all there, crafted in its own right.’
— Richard Boggie, visually-impaired North East writer
Find out more about Sophie’s practice here: www.sophieseita.com/
And here: www.instagram.com/sophieseita/
BIO: Sophie Seita is a London-based artist and researcher whose work swims in the muddy waters of language, and explores materiality, gesture, and the speculative potential of the archive. She regularly performs and exhibits work across multiple media, publishes books, makes textiles and graphic scores, leads workshops around voice-work, experimental writing, and queer performance, and teaches in the Art Department at Goldsmiths. Often working collaboratively, she’s expanding and deepening her ongoing socially engaged and conceptual project with the musician and conductor Naomi Woo, to give voice to untold queer archives, alongside other international artists, academics, activists, gardeners, designers, and writers, as part of The Hildegard von Bingen Society for Gardening Companions. Their recent activities involved a queer performance ritual in Xochimilco, Mexico City, a workshop in the art research garden at Goldsmiths’s Centre for Art & Ecology, and an irregular zine, called The Minutes. Seita’s latest book, Lessons of Decal (87Press, 2023), is a queer meditation on reading and listening; the things and experiences that leave an imprint on us in unpredictable, messy, and desirous ways. Currently, she is an Artist in Residence at Akademie der Künste (Academy of Arts) in Berlin.
Creative Darlington is keen to share exhibitions which explore the connections between language and visual art within the Art Gallery at Darlington Library and thank Darlington Culture Volunteers for their support in stewarding this exhibition.
